Wednesday, April 14, 2010
CHEER-ACCIDENT will. I promise.
Chris Dee is a lovely lad. Besides manning the guitar for local post-punk performance artists The Conformists, he is a super-chill cat and now, he has offered up a gift to the grumpiest (or goofiest) promoter in town---that's me, Shitbag!
That's right, Mr. Dee came at me recently with an offer that had tears running down my legs the second I read it via the email-enhancement program I beckon towards for such good news. He wanted to know if I could book Cheer-Accident!
This was a bit of a last-minute thing, but the date had been set aside for a Tionol that I regret having worked in the past, so I needed to do some pleading with the folks at the World Headquarters of Schlafly Beer. We are a humble sort down at the Schlafly Tap Room and only bite when numerous folks have spit on, cursed at or poked us beyond a point that we cannot fathom. It was an easy deal that we made to O.K. the booking of the Eliot Room with such genius on the same night that others will be fiddling...that's another story.
Let's get to what you need to know: in short CHEER-ACCIDENT is legendary. They are lovely folks who love their hometown of Chicago. Were they to choose a home-base such as Berlin or Rome or London, who knows what would change.
Listen extensively here.
So much history behind the legend.
I'm waiting for new tires on the Honda. Getting ready to see them on Sunday with Sleepytime Gorilla Museum at the Bottom Lounge in Chicago. But first:
Friday, April 16th
9 to Midnight
at the Schlafly Tap Room
2100 Locust Street
St. Louis, MO 63103
314.241.0986
Four acts: no charge for admission
Amelie Morgan (solo piano
Spelling Bee
The afore-mentioned and hyperlinked act: The Conformists
and
Cheer-Accident
Like it or don't, people will be talking about this show for many years to come.
I'm not exactly bleeding words today, so I give to you a bit from their page on their present label, Cuneiform Records:
For over 20 years, Cheer-Accident have been a creative, interesting force in rock music. They constantly strive to surprise their audience and themselves with constant reinvention. Fear Draws Misfortune is their 16th release and arguably their best release and their album which strives the furthest towards a powerful balance between personalized and unique studio techniques and the excitement of a visceral, live, well-honed rock band. Which is saying something. It is a strongly compelling and high-reaching album that uses a wide variety of ideas, styles and studio techniques, resulting in a cohesive and ambitious album of art-rock. The basic band is a trio who between them perform on vocals, keyboards, trumpets guitars, bass and drums, but they are augmented by 15 additional musicians who, each in their own way, bring their own musical gifts to the album. Fear Draws Misfortune reveals a fortuitous intersection between Cuneiform and Cheer-Accident, both of whom have long admired the other and both of whom finally decided to do something about it! This long overdue marriage, which neatly coincides with a timely (and quite lengthy) cover-feature article in December 2008's Signal To Noise magazine, promises to hurl Cheer-Accident into wider recognition.
" I could easily fill a page talking about any given minute of this album, but suffice it to say that if you’ve ever loved Magma’s apocalypticisms, Neu!’s ghosts in the machine, or Beefheart’s Dada boogie—or at least dreamed of watching the Mormon Tabernacle Choir fall down a very long flight of stairs—it might be for you." — Monica Kendrick/Chicago Reader
"...[Cheer-Accident] meld difficult, angular rock with absurdist lunacy in intentionally disturbing ways that are just brilliant." – Alternative Press
"There are few ensembles that can make noise sound both as mysterious and as strangely inviting as Cheer-Accident." – Delusions of Adequacy
SO COME ON WITH IT, ST. LOUIS!
I embed this video b/c it features the ever-present babbling crowd as part of the soundtrack. Please enjoy more by clicking on videos here.
Sunday, April 11, 2010
Springtime!
It's mid-morning as
the neighbor lady plops down the steps
huffing and puffing towards the car
gasping for air
arms all akimbo.
Hootin', "Woooo, have mercy. Lawd, Dear God!"
Fannin' herself with the three fingers free
from her oversize bag.
Scuff shoes shufflin' across the pavement now
until one falls off.
Perched on one leg; draped in a muumuu;
she stops to slip it back on
the front of her swollen foot
that won't squeeze in over the heel.
No Cinderalla dreams today.
"Move it, Bitch!" screams the driver.
"We al'ready late!"
But she didn't lose her balance
as bird chirps and the smell of mowed grass
and gasoline
float in on a cool breeze.
The bartender rolls over
and turns up
the radio.
Somebody is angry that the relief
staff won't be enough
for the Fall
classic.
He gives it up.
Gets up.
Shuts the window
and realizes
that he stripped naked
before crashing in front
of the fan
last night.
Howdy, Neighbor!
He chuckles.
But no one is around.
Brett Lars Underwood, 2010
GO TO SLEEP EARLY AND SLIP IT IN THE MORNING
TAX DAY RELAX DAY
YOU'RE MOTHER'S GOT A TIT OR TWO
CATHOLIC GUILT THAT YOUR FATHER BUILT
AND YOUR AUNTIE'S A LEVIATHAN
A LIAR THEN
SHE CAN'T GET A CAT WET
YOU BETTER BET.
WHAT?
Thursday, April 15th 9 P.M. AT THE SCHLAFLY TAP ROOM:
The Skekses
www.myspace.com/theskeksesstl
Barely-Free Partial Prisoners
www.myspace.com/barelyfreepartialprisoners
Catholic Guilt
http://www.myspace.com/catholicguiltlives
Wednesday, March 31, 2010
Patricia Highsmith
I did a lot of lazing about this winter, huddled up under the blankets against the chilliness of my South Side flat (I like it like that...Booo! forced heat!). When I laze about, I listen to all kinds of radio. One sleepy afternoon, this interview caught my attention. In particular, the fact that the subject of this author's new book is Patricia Highsmith, whom I have heard of because of her book STRANGERS ON A TRAIN, or perhaps due to the fact that I've seen the Hitchcock movie based on the book, caught my attention. Check it out. Turns out Ms. Highsmith was quite the player:
http://www.npr.org/templates/story/story.php?storyId=1303128
So, I grow tired of the radio and move on to other media. I quickly re-read STRANGERS ON A TRAIN and a couple other novels by Highsmith, having found them in abundance at our fabulous downtown library. I watched STRANGERS ON A TRAIN here:
Haven't gotten around to digging up THE TALENTED MR. RIPLEY, but I noticed today that
THE CRY OF THE OWL just hit the streets here in the States.
http://en.wikipedia.org/wiki/The_Cry_of_the_Owl
Hollywood will forever have a boner for the remake, of course, and guess what!
The French derived a film from her novel way back in 1987:
http://en.wikipedia.org/wiki/Le_Cri_du_hibou
As you might expect, I like the twisted, pathological characters in her work (and the fact that she was an ex-patriot almost as soon as she was able to arrange to get the fuck out of here.
So, give her a read.
Even Matmos is hip to her:
...of course, not everybody is a fan:
http://www.npr.org/templates/story/story.php?storyId=1303128
So, I grow tired of the radio and move on to other media. I quickly re-read STRANGERS ON A TRAIN and a couple other novels by Highsmith, having found them in abundance at our fabulous downtown library. I watched STRANGERS ON A TRAIN here:
Haven't gotten around to digging up THE TALENTED MR. RIPLEY, but I noticed today that
THE CRY OF THE OWL just hit the streets here in the States.
http://en.wikipedia.org/wiki/The_Cry_of_the_Owl
Hollywood will forever have a boner for the remake, of course, and guess what!
The French derived a film from her novel way back in 1987:
http://en.wikipedia.org/wiki/Le_Cri_du_hibou
As you might expect, I like the twisted, pathological characters in her work (and the fact that she was an ex-patriot almost as soon as she was able to arrange to get the fuck out of here.
So, give her a read.
Even Matmos is hip to her:
...of course, not everybody is a fan:
Playlist for Late Night Radio
I used to host a radio show on KDHX.
Just ran across a bunch of old playlists from The No Show on the Ewaves yahoogroup list and thought to look up the show when I subbed a New Year's Eve show for Randall Roberts. Thomas Crone later asked me to write about being at KDHX late at night and I repost that piece here as it appeared on 52ndCity.com
No big deal, but I thought it was interesting to go back and see the actual playlist.
Having fond memories of the glee and idiocy of playing Criswell and Negativland.
...and FUCK!!! That MC Honky shit was beautiful and hilarious!
Oh, and Christian Marclay, defying the grooves:
It was a lot of fun and a lot of work and I'm glad it is over. Glad, too, that I have a large shoebox full of recordings of some of the shows. It was STUPID!
Late Night Radio | by Brett Underwood
You've all heard the stories:
There are drunken marauders storming the station late at night. They put a gun to the DJ's head and demand Air Supply—any Air Supply—at 45 revolutions per minute. Then the jock spewing through a smirk "Don't ever utter revolution and air supply in the same sentence again, Shitbird. We can conquer the world without breathing!"
Or, the one about the man with a half-shattered mind, alone in a room with a microphone, two turntables and a cassette player, digging through a box of cassette tapes and mumbling into a live microphone about that perfect track, wishing it was on his finger tips, wishing it were on the air, wishing for anything but this moment which yawns with ennui in the ears of some listeners and fascinates others who revel in the absurd—all unaware that a pizza delivery girl enters the room on a skateboard, strips, squats up on an office chair and spins with mad abandon whilst lustfully lapping up music from dusty LPs, her hands turning the records clockwise across her tongue so that she ingests so much E Minor tragedy that she begins to weep. Not long after, the host lays his fingers on that Charley Pride he was searching for and the girl dissolves into dust, tears and all…
Then there's the story you like to tell about how you heard this late-night jock babbling at a bar about some older woman who called claiming she used to talk to Moondog on the bus as they rode through the Lower East Side back in the 70's...or was it the 60's...and something about him having attended the Missouri School for the Blind and it was kind of weird because he, himself, the radio guy, was riding the 13 to the Central West End, reading DeLillo when he heard the woman's voice. She was climbing into the bus with a walker and he watched her and listened to her conversation with the bus driver and she got off at Barnes to work at a gift shop...and no, he didn't introduce himself.
Or, the federal judge crying on the phone to the host because he was rude and hung up on him while he was forlorn and riding around the East Side and just wanted to hear some Tull while he and a transvestite ate jet pops in the back of a limo.
None of it is true though. They are all urban legend or lies! None of that could ever happen on late-night radio to late-night radio hosts. For events such as those to occur, for instance, at KDHX at 1:45 on a Friday morning, the sun would have to implode and Reagan would reincarnate as son of John Denver to save the world from schmaltz. Yes, for such arrangements to be made, that much would be imperative, you innocent clams who yearn to produce such pearls.
No, what happens at KDHX during late-night radio is beyond words. I couldn't describe it even if I remembered any of it. It is as if aliens steal my memory as I exit the building after hosting an episode of The No Show and I am left to float home on a beam of light in a fringe-top horseless carriage.
I mean I have the recordings to prove to myself that I was at the station, the overhauled bakery on Magnolia. That’s me on the recordings. The crumpled playlists are there in my bag and archived on the station’s website.
I recall standing outside the station smoking a quick cig as some kids swerved through an intersection after carjacking a fraught damsel chasing down the street with cell phone to head, blood trickling down her torn hose and left knee. And last summer, I stopped by the station on my bicycle to check my email and found two punk-rock show producers outside talking to the police about the woman who was handcuffed in the backseat of the squad car. She had stopped her truck while one of them was loading records into his and ran towards him screaming, "I can't stand it anymore!" and nothing else.
However, these incidents all happened outside the station.
Most nights when I'm not doing the show and have stopped by to listen to something or do some audio work on the computer in Studio A or B, Bob Reuter, Kevin Lawrence or Seth Wahlman will be there doing the same thing or finishing some correspondence. I have a perfect recollection of those nights…and each Thursday as I enter the studio and Josh Weinstein is riveting the heads of his listeners to the heavens, I am fully aware and embarrassed to be sharing the same call letters.
But my friends claim they have visited me while I was doing the show and left because I wouldn't talk to or even look at them and the phone would ring and I'd quote what sounded like Zorn’s horn and Bukowski mixed together and slam the phone down, cackling and frothing at the mouth while grabbing an LP with my other hand and smashing it across the console. But you can't trust those loons; they feed buffalo chips to starving Sioux and argue over soda products and colors of caulk. I can only hope that they, too, will someday learn what it is like, “to be in the zone.”
I can only share one late-night KDHX story with you and hope that it resembles the story I would tell if I could remember anything about doing my show because it happened before midnight on New Year's Eve a couple years back and so was not yet in my sense of time, late night.
I was covering another host's show, so he could hold one of his underground cheese-curls and sparkling water orgies. The previous host had left in a huff, shrieking something about hippies or long-hairs or something, as I spun into the program with some old Pere Ubu and was having a leisurely go of it, like most veteran hosts do when the phone calls aren't rapid fire and the tracks are long enough to type in a playlist allowing mind and fingers to cue up the next track, PSA or the like. I answered a couple of requests for material which I could not fill. No sweat. I didn't have the material. It was not my show. “Enjoy the bubbly, sweet birdies-of-the-night. I’m a grinning volunteer, bridled only by insouciance and a need for solitude huddled in a small room with my fingers at the controls of the airwaves and a live internet stream fueled by nameless urges and caffeine”, I said to the clock.
Later, I recalled my wish to spend a New Year's Eve on my back atop a hill or mountain, cocooned in a thermal sleeping bag with an awe-inspiring view of the stars and planets. I was spinning records and imagining such a night when I came across "I Am God" from Negativland's 1993 album "Free". It is a reflective, sometimes shocking and humorous audio collage which opens with children singing about the ecumenical movement and features a repeated chant of "I am God. You are God. We are all God." A piece which might incite a response; people being so trigger happy when it comes to their religious beliefs.
I mean, I've heard the stories about radio personalities being shot in the parking lot outside other radio stations and I've heard other producers tell stories about being threatened by nutbag callers. I have only recently been brave enough to watch Play Misty for Me so I fathomed that I might draw some frustrated demon out of the cold, dark night.
Nope. Wrong.
Didn't have a call for the rest of the show.
I had a couple bands and a party to catch afterward, so I was packed up and ready to roll when I podded up the announcement at the end of the show and cleared the way for the next show’s hosts. I shouldered my bag of tricks and walked outside with my attention focused on the upcoming hours.
I was about halfway down Magnolia to Grand when the fireworks and gunfire announced midnight on the South Side. There were a couple kids across the street launching bottle rockets willy-nilly in all directions and I thought for a moment that I might make a likely target, but rounded the montessori on the corner and walked up Grand free of damage. The gunfire sounded automatically, clearly and rapidly, but distantly.
I was home, re-garbed, ready for action, back out the door and by 12:20, I had parked the car halfway between the bars and the house party and was standing in CBGB with an Oatmeal Stout and a Gambrinus-like thirst as a Jan Primus' spirit sang softly in a drunken woman’s ear as he shot me a wink fueled with jiggers of corn. Her squirming disgust was pitiful. Like souls sleeping dreamlessly, like cyborgs on Soma, she was having none of it. There was still a hint of displeasure to show for her pride, though, so I wrestled the spirit away and we shared old memories from having been at play between our respective headphones and four walls.Playlist for Sovereign Glory! on December 31, 2003
Key: Artist:::Title:::Album::: +=Request *=New
[Notes]
BRETT UNDERWOOD:::Subbing for Li'l Edit:::Happy Everything
PERE UBU:::Dark:::St Arkansas
[ Well, maybe not AM radio, but... ]
FROG EYES:::Miasma Gardens:::The Golden River*
[ One of my favorites of '03. You can find them at
http://www.animalrecordings.com and http://www.globalsymphonic.com ]
MARCELO RADULOVICH:::Telerana:::2 Brains
[ http://www.accretions.com ]
--------:::--------:::--------
CRISWELL/w/ERIC PETERS:::predictions/Electronic Rhythm:::The Legendary Criswell
Predicts Your Incredible Future/Barry 7's Connectors
BECK:::Round the Bend:::Sea Change
MARCELO RADULOVICH:::Do the Deed:::2 Brains
[ Yes, I like. ]
--------:::--------:::--------
POLE:::Fohlenfurz:::Pole 3
[ background ]
--------:::--------:::--------
IMPERCEPT/CRISWELL:::Long Journey for Such a Small
Creature/predictions:::Circuits of Steel: Electronic Music from Pittsburgh for
the 21st Century
MC HONKY:::My Bad Seed:::I Am the Messiah
REALISTIC:::Angel 2000:::Private Moments
unknown:::hidden track (Country Grammar bootleg-mashup):::The Best Bootlegs in
the World Ever
STEVE FISK:::Aviation Oakie:::999 Levels of Undo
--------:::--------:::--------
MUSLIM GAUZE/CRISWELL:::Turkish Sword Swallower/predictions:::Sufiq EP
DAEDELUS:::Fin:::Rethinking the Weather*
ROBOTOBIBOK:::Sonda Jungle:::Jogging (from New Music from Central & Eastern
Europe Volume 2 on Tamizdat Records
[ jazzy jazziness from Poland's Vytvornia Om Records ]
BROOKLYN FUNK ESSENTIALS:::The Revolution Was Postponed Because of Rain:::Dorado
A Compilation (3)
[ Planet Earth Recordings ]
--------:::--------:::--------
CHRISTIAN MARCLAY:::His Master's Voice:::Records (1981-1989)
LAS CAJAS DEL RITMO:::Com Com:::music from the documentary Frontier Life (Banda
Sonora)
[ More stuff from Accretions Records ]
CONLON NANCARROW:::Blues for Piano:::Lost Works, Last Works
BECK:::Sing It Again:::Mutations
THE BOREDOMS:::15:::Super Roots 6
--------:::--------:::--------
NEGATIVLAND:::I Am God:::Free
APHEX TWIN:::Nannou:::Windowlicker
DAEDALUS:::Bright Stars:::Rethinking the Weather*
[ New on Mush Records, a division of http://www.dirtyloop.com ]
ENNIO MORRICONE:::Waiting:::from "A Gun for Ringo"
MATMOS:::l.a.s.i.k.:::a chance to cut is a chance to cure
Just ran across a bunch of old playlists from The No Show on the Ewaves yahoogroup list and thought to look up the show when I subbed a New Year's Eve show for Randall Roberts. Thomas Crone later asked me to write about being at KDHX late at night and I repost that piece here as it appeared on 52ndCity.com
No big deal, but I thought it was interesting to go back and see the actual playlist.
Having fond memories of the glee and idiocy of playing Criswell and Negativland.
...and FUCK!!! That MC Honky shit was beautiful and hilarious!
Oh, and Christian Marclay, defying the grooves:
It was a lot of fun and a lot of work and I'm glad it is over. Glad, too, that I have a large shoebox full of recordings of some of the shows. It was STUPID!
Late Night Radio | by Brett Underwood
You've all heard the stories:
There are drunken marauders storming the station late at night. They put a gun to the DJ's head and demand Air Supply—any Air Supply—at 45 revolutions per minute. Then the jock spewing through a smirk "Don't ever utter revolution and air supply in the same sentence again, Shitbird. We can conquer the world without breathing!"
Or, the one about the man with a half-shattered mind, alone in a room with a microphone, two turntables and a cassette player, digging through a box of cassette tapes and mumbling into a live microphone about that perfect track, wishing it was on his finger tips, wishing it were on the air, wishing for anything but this moment which yawns with ennui in the ears of some listeners and fascinates others who revel in the absurd—all unaware that a pizza delivery girl enters the room on a skateboard, strips, squats up on an office chair and spins with mad abandon whilst lustfully lapping up music from dusty LPs, her hands turning the records clockwise across her tongue so that she ingests so much E Minor tragedy that she begins to weep. Not long after, the host lays his fingers on that Charley Pride he was searching for and the girl dissolves into dust, tears and all…
Then there's the story you like to tell about how you heard this late-night jock babbling at a bar about some older woman who called claiming she used to talk to Moondog on the bus as they rode through the Lower East Side back in the 70's...or was it the 60's...and something about him having attended the Missouri School for the Blind and it was kind of weird because he, himself, the radio guy, was riding the 13 to the Central West End, reading DeLillo when he heard the woman's voice. She was climbing into the bus with a walker and he watched her and listened to her conversation with the bus driver and she got off at Barnes to work at a gift shop...and no, he didn't introduce himself.
Or, the federal judge crying on the phone to the host because he was rude and hung up on him while he was forlorn and riding around the East Side and just wanted to hear some Tull while he and a transvestite ate jet pops in the back of a limo.
None of it is true though. They are all urban legend or lies! None of that could ever happen on late-night radio to late-night radio hosts. For events such as those to occur, for instance, at KDHX at 1:45 on a Friday morning, the sun would have to implode and Reagan would reincarnate as son of John Denver to save the world from schmaltz. Yes, for such arrangements to be made, that much would be imperative, you innocent clams who yearn to produce such pearls.
No, what happens at KDHX during late-night radio is beyond words. I couldn't describe it even if I remembered any of it. It is as if aliens steal my memory as I exit the building after hosting an episode of The No Show and I am left to float home on a beam of light in a fringe-top horseless carriage.
I mean I have the recordings to prove to myself that I was at the station, the overhauled bakery on Magnolia. That’s me on the recordings. The crumpled playlists are there in my bag and archived on the station’s website.
I recall standing outside the station smoking a quick cig as some kids swerved through an intersection after carjacking a fraught damsel chasing down the street with cell phone to head, blood trickling down her torn hose and left knee. And last summer, I stopped by the station on my bicycle to check my email and found two punk-rock show producers outside talking to the police about the woman who was handcuffed in the backseat of the squad car. She had stopped her truck while one of them was loading records into his and ran towards him screaming, "I can't stand it anymore!" and nothing else.
However, these incidents all happened outside the station.
Most nights when I'm not doing the show and have stopped by to listen to something or do some audio work on the computer in Studio A or B, Bob Reuter, Kevin Lawrence or Seth Wahlman will be there doing the same thing or finishing some correspondence. I have a perfect recollection of those nights…and each Thursday as I enter the studio and Josh Weinstein is riveting the heads of his listeners to the heavens, I am fully aware and embarrassed to be sharing the same call letters.
But my friends claim they have visited me while I was doing the show and left because I wouldn't talk to or even look at them and the phone would ring and I'd quote what sounded like Zorn’s horn and Bukowski mixed together and slam the phone down, cackling and frothing at the mouth while grabbing an LP with my other hand and smashing it across the console. But you can't trust those loons; they feed buffalo chips to starving Sioux and argue over soda products and colors of caulk. I can only hope that they, too, will someday learn what it is like, “to be in the zone.”
I can only share one late-night KDHX story with you and hope that it resembles the story I would tell if I could remember anything about doing my show because it happened before midnight on New Year's Eve a couple years back and so was not yet in my sense of time, late night.
I was covering another host's show, so he could hold one of his underground cheese-curls and sparkling water orgies. The previous host had left in a huff, shrieking something about hippies or long-hairs or something, as I spun into the program with some old Pere Ubu and was having a leisurely go of it, like most veteran hosts do when the phone calls aren't rapid fire and the tracks are long enough to type in a playlist allowing mind and fingers to cue up the next track, PSA or the like. I answered a couple of requests for material which I could not fill. No sweat. I didn't have the material. It was not my show. “Enjoy the bubbly, sweet birdies-of-the-night. I’m a grinning volunteer, bridled only by insouciance and a need for solitude huddled in a small room with my fingers at the controls of the airwaves and a live internet stream fueled by nameless urges and caffeine”, I said to the clock.
Later, I recalled my wish to spend a New Year's Eve on my back atop a hill or mountain, cocooned in a thermal sleeping bag with an awe-inspiring view of the stars and planets. I was spinning records and imagining such a night when I came across "I Am God" from Negativland's 1993 album "Free". It is a reflective, sometimes shocking and humorous audio collage which opens with children singing about the ecumenical movement and features a repeated chant of "I am God. You are God. We are all God." A piece which might incite a response; people being so trigger happy when it comes to their religious beliefs.
I mean, I've heard the stories about radio personalities being shot in the parking lot outside other radio stations and I've heard other producers tell stories about being threatened by nutbag callers. I have only recently been brave enough to watch Play Misty for Me so I fathomed that I might draw some frustrated demon out of the cold, dark night.
Nope. Wrong.
Didn't have a call for the rest of the show.
I had a couple bands and a party to catch afterward, so I was packed up and ready to roll when I podded up the announcement at the end of the show and cleared the way for the next show’s hosts. I shouldered my bag of tricks and walked outside with my attention focused on the upcoming hours.
I was about halfway down Magnolia to Grand when the fireworks and gunfire announced midnight on the South Side. There were a couple kids across the street launching bottle rockets willy-nilly in all directions and I thought for a moment that I might make a likely target, but rounded the montessori on the corner and walked up Grand free of damage. The gunfire sounded automatically, clearly and rapidly, but distantly.
I was home, re-garbed, ready for action, back out the door and by 12:20, I had parked the car halfway between the bars and the house party and was standing in CBGB with an Oatmeal Stout and a Gambrinus-like thirst as a Jan Primus' spirit sang softly in a drunken woman’s ear as he shot me a wink fueled with jiggers of corn. Her squirming disgust was pitiful. Like souls sleeping dreamlessly, like cyborgs on Soma, she was having none of it. There was still a hint of displeasure to show for her pride, though, so I wrestled the spirit away and we shared old memories from having been at play between our respective headphones and four walls.Playlist for Sovereign Glory! on December 31, 2003
Key: Artist:::Title:::Album::: +=Request *=New
[Notes]
BRETT UNDERWOOD:::Subbing for Li'l Edit:::Happy Everything
PERE UBU:::Dark:::St Arkansas
[ Well, maybe not AM radio, but... ]
FROG EYES:::Miasma Gardens:::The Golden River*
[ One of my favorites of '03. You can find them at
http://www.animalrecordings.com and http://www.globalsymphonic.com ]
MARCELO RADULOVICH:::Telerana:::2 Brains
[ http://www.accretions.com ]
--------:::--------:::--------
CRISWELL/w/ERIC PETERS:::predictions/Electronic Rhythm:::The Legendary Criswell
Predicts Your Incredible Future/Barry 7's Connectors
BECK:::Round the Bend:::Sea Change
MARCELO RADULOVICH:::Do the Deed:::2 Brains
[ Yes, I like. ]
--------:::--------:::--------
POLE:::Fohlenfurz:::Pole 3
[ background ]
--------:::--------:::--------
IMPERCEPT/CRISWELL:::Long Journey for Such a Small
Creature/predictions:::Circuits of Steel: Electronic Music from Pittsburgh for
the 21st Century
MC HONKY:::My Bad Seed:::I Am the Messiah
REALISTIC:::Angel 2000:::Private Moments
unknown:::hidden track (Country Grammar bootleg-mashup):::The Best Bootlegs in
the World Ever
STEVE FISK:::Aviation Oakie:::999 Levels of Undo
--------:::--------:::--------
MUSLIM GAUZE/CRISWELL:::Turkish Sword Swallower/predictions:::Sufiq EP
DAEDELUS:::Fin:::Rethinking the Weather*
ROBOTOBIBOK:::Sonda Jungle:::Jogging (from New Music from Central & Eastern
Europe Volume 2 on Tamizdat Records
[ jazzy jazziness from Poland's Vytvornia Om Records ]
BROOKLYN FUNK ESSENTIALS:::The Revolution Was Postponed Because of Rain:::Dorado
A Compilation (3)
[ Planet Earth Recordings ]
--------:::--------:::--------
CHRISTIAN MARCLAY:::His Master's Voice:::Records (1981-1989)
LAS CAJAS DEL RITMO:::Com Com:::music from the documentary Frontier Life (Banda
Sonora)
[ More stuff from Accretions Records ]
CONLON NANCARROW:::Blues for Piano:::Lost Works, Last Works
BECK:::Sing It Again:::Mutations
THE BOREDOMS:::15:::Super Roots 6
--------:::--------:::--------
NEGATIVLAND:::I Am God:::Free
APHEX TWIN:::Nannou:::Windowlicker
DAEDALUS:::Bright Stars:::Rethinking the Weather*
[ New on Mush Records, a division of http://www.dirtyloop.com ]
ENNIO MORRICONE:::Waiting:::from "A Gun for Ringo"
MATMOS:::l.a.s.i.k.:::a chance to cut is a chance to cure
Thursday, March 18, 2010
Readog
"Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read." -- Groucho Marx
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